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By Fr. Crastre, Frederic Taber Cooper

This choice of literature makes an attempt to bring together a few of the vintage works that experience stood the try out of time and supply them at a discounted, cheap expense, in an enticing quantity in order that all people can take pleasure in them.

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Bastien-Lepage, the "good little mother," as the great artist and loving son used to call her. He posed her in the garden of the home at Damvillers. She is seated on a stone bench; on her knees rests a large garden hat; her two hands are crossed, one over the other, and in the left she holds a little bunch of field flowers. She is clad in a loose dress of sombre colour, cut with a pelerine; and nothing but the one bright spot formed by the white collar reveals the severity of the costume. The whole attitude of the body in repose is perfect in its truth and naturalness; but our admiration changes and quickens to emotion when we raise our eyes to the level of the face of this "good little mother," a bony, irregular face, almost ugly, but so gentle, so kind, so touchingly illumined by the tender caress in the eyes as they rest upon the adored son in the course of painting her.

The Song of Springtime Museum at Verdun Frontispiece II. Portrait of M. Wallon Museum of the Louvre 14 III. The Artist's Mother Collection of É. Bastien-Lepage 24 IV. The Hay-making Museum of the Luxembourg 34 V. Portrait of M. Hayem Museum of the Luxembourg 40 VI. Portrait of M. X—— Museum at Verdun 50 VII. The Little Boatman Collection of É. Bastien-Lepage 60 VIII. The Artist's Uncle Museum at Verdun 70 There are certain beings who bear the stamp of the divine seal and are preordained to receive the highest favours within the gift of glory; they are fated to pass through life like those brilliant meteors which are seen to flash across the heavens and disappear in the same instant.

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Bastien Lepage by Fr. Crastre, Frederic Taber Cooper

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