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By Jacques Barzun

This 3rd version back makes to be had to modern-day readers the vintage and complete learn of 1 of the main radical and influential composers.
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Printed: Rigaud, Correspondence of Scientific Men II, 506–7. 1668 (missing). 1668). Oxford, Novemb. 3, 1668. Sir I thank you for yours111 of Octob. 26, and the book112 you sent with it, which I received last Saturday toward night. I thought to have sent you the enclosed113 by the last post; but before I had transcribed it (thinking fit to keep a copy of it) I was otherwise diverted. Mr. Gregory is certainly in the wrong, & therefore I am sorry to see him write at that rate he doth. And I could have wished (but that it is now too late) that his angry preface & the first leaf of his book had been suppressed.

Quod facit ut non miror te| de hyeme jam proxime [1v ] praeterita nihil dixisse: qua tamen ego illam saepius conspexi paulo minorem quam est ea quae in Mandibula. ) Credo utique illa jam Anno 1660 scripta, sinon et impressa fuisse, utut jam modo prodierint. Reliqua, credo, ad Machinam tuam Caelestem reservas; quam propediem praelo subjectum iri spem facis57 . e. 1662/3. e. John Palmer (1612–79), mathematician and rector of Eaton and Ecton, Northamptonshire; from 1665 archdeacon of Northampton. See Taylor, The Mathematical Practitioners, 213.

Corr. | ed. ins. suppl. B. upright square brackets contained in text or in variant readings of the critical apparatus are always either employed by the author himself or represent a contemporary addition, as indicated) new paragraph within a variant reading added contemporary alteration to text by someone other than the author corrected word or words deleted editor inserted supplied The critical apparatus shows the development of text through its various stages. Each successive stage replaces the preceding one.

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Berlioz and the romantic century by Jacques Barzun


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